Willa Cather
They advise that a writer should write what she knows. Willa Cather followed that advice. She began her career of words in journalism. Part of her assignments was reviewing art, music and literature. In her first published work (of short stories), The Troll Garden presents Cather’s relaying performances, artists, fans and art to the reader. She write each story with a proper amount of skepticism toward characters (artists and fans) and what they are doing. Troll has pejorative inference, and thereby, Cather has described the process and results of art. It is a trolly world of being.
For example,
FEMALE FANS: “What he had was that, in his mere personality, he quickened and in a measure gratified that something without which – to women – life is no better than sawdust, and to the desire for which most of their mistakes and tragedies and the astonishingly poor bargains are due.” The Garden Lodge.
MALE FANS: Man re-meets singer after singer is retired and dying.
“It was the silence of admiration,” protested Everett, “very crude and boyish, but very sincere and not a little painful. Perhaps you suspected something of the sort? I remember you saw fit to be very grown-up and worldly.”
“I believe I suspected a pose; then that college boys usually affect with singers – ‘an earthen vessel in love with a star,’ you know. But it rather surprised me in you, for you must have seen a good deal of your brother’s pupils. Or had you an omnivorous capacity, and elasticity that always met the occasion.” A Death in the Desert.
TRAGEDY: “He used to write only the tragedies of passion; but this is tragedy of the soul, the shadow coexistent with the soul. This is the tragedy of effort and failure, the thing Keats calls hell. This is my tragedy; as I lie here spent by the racehorse…”
“I wanted to be with you….I have never cared about other women since I met you in New York when I was a lad. You are part of my destiny, and I could not leave you if I would.
She put her hands on his shoulders and shook her head. “No, no; don’t tell me that. I have seen enough of tragedy, God knows. Don’t show me any more just as the curtain is going down. No, no, it was only a boy’s fancy, and your divine pity and my utter pitiableness have recalled it for a moment. One does not love the dying, dear friend. If some fancy of that sort had been left over from boyhood, this would rid you of it, and that were well. Now go, and you will come again tomorrow….” A Death In The Desert.
MARRYING AN ARTIST
“…She has remained in much the same condition she sank to before his death. He trampled over pretty much whatever there was in her, I fancy. Women don’t recover from wounds of that sort – at least not women of Ellen’s grain. They go on bleeding inwardly.”…
“The marriage,” Lady Mary continued with a shrug, “was made on the basis of a mutual understanding. Ellen, in the nature of the case, believed that she was doing something quite out of the ordinary in accepting him, and expected concessions which, apparently, it never occurred to him to make. After his marriage he relapsed into his old habits of incessant work, broken by violent and often brutal relaxations. He insulted her friends and foisted his own upon her – a homeless vagrant, whose conversation was impossible. I don’t say, mind you, that he had not grievances on his side. He had probably overrated the girl’s possibilities, and he let her see he was disappointed in her. Only a large and generous nature could have borne that, and Ellen’s not that. She could not at all understand that odious strain of plebeian pride which plumes itself upon having not risen above its sources.” The Marriage of Phaedra.
{Observe a similar sentiment at the end of the movie, My Brilliant Career where Sybilla declines to marry Harry. She wants to become a writer, an artist, and she tells him, I will destroy you. He does not understand.]
WANT-TO-BE PERSON CRAVING ARTIST’S LIFESTYLE
“Several of Paul’s teachers had a theory that his imagination had been perverted by garish fiction, but the truth was that he scarcely read at all. The books at home were not such as would either tempt or corrupt a youthful mind, and as for reading the novels that some of his friends urged upon him, — well, he got what he wanted much more quickly from music; any sort of music from an orchestra to a barrel organ. He needed only the spark, the indescribable thrill that made his imagination master of his senses, and he could make plots and pictures enough of his own. It was equally true that he was not stage struck – not, at any rate, in the usual acceptation of that expression. He had no desire to become an actor, any more than he had to become a musician. He felt no necessity to do any of those things; what he wanted was to see, to be in the atmosphere, float on the wave of it, to be carried out, blue league after blue league, away from everything.” Paul’s Case.
Undoubtedly, Willa Cather had witnessed and cringed about much she saw in the artistic world. She is plain, honest and open, letting the world witness what is frequently worshiped – not only the art, but also the artist. She is not judgmental except in Paul’s Case, the boy who seeks to attach himself to the material benefits of art. Obviously, what applied to women also was true for men. Have there not been a long trail of “poor bargains” arising from love, worship or fantasy?The Garden Lodge. Does any artist want to be revered, adorned and fawned over at death, or does the artist, using human common sense, understand for any person to cling to a drying artist is tragedy. A Death In The Desert.
[That point in A Death is reminiscent of William Shatner’s advice supposedly given during a Star Trek convention: “Get a life.”]
Willa Cather does not disapprove of artistic behaviors. Some artists act well, and others poorly. She cannot reform human behaviors, but she can bring light to common behaviors to give a perspective and to make situations common and understandable.
Observe in The Marriage of Phaedra Willa Cather describes where the painting has gone (Australia) as “entombed in a vague continent in the Pacific, somewhere on the other side of the world.”