WRITING DEAD

Another participant on WordPress, Dan Altorre, has wondered and ask why Walking Dead has any audience at all. His blog was posted. I read it, and wrote. Rather than comment on his short blog and the shorter comments, I’ve decided to post my comments.

I can’t believe there is any attraction of zombies who are bipedal and sometimes kill people (kill because that’s what zombies do). Amongst those people zombie hunters want to live a norm life of a 1950s sit-com, perfect if the zombies weren’t around. It is pure dualism, us versus them, the most elementary of messages.

Perhaps, but unlikely normal viewers, can rid the world of all the dead and bad people, like Wyatt Earp did. Do everything that can’t be done. Shoot them; knife them; toss them off cliffs. Essentially Walking Dead scripts are easy to understand, written to soap opera standards. Toss in cliches to bring emotion for the fore. If you got caught up watching the Soaps as a kid, you’re ready to join the Walking Dead audience. This is real formula: On page 30 of the script is a “turning point.” On page 38 there is a crisis of character.” Sadly the whole world knows what is going on, except ME.

Other than the soap opera aspects, death in Walking Dead is carved into our brains just like it’s part of the TV news. Killing Zombies relieves us of shock value as statistics of real killings of human beings mount. Zombie may take the place of the boogie-man like Don Trump. The whole world is watching. Human traits of empathy and grief become less meaningful and in the end are a waste of time.

These mind sets are detrimental to the rainbow society everyone likes to advertise. In history, countries, societies and cultures have lived through eras of death. In the last century pre-World War Two Japan was such a place. Life and human existence became cheap; Japanese generals sacrificed soldiers and sailors and civilians. That trait of the Japanese is no longer part of that vibrant country and its people.

I do not understand the lure of Walking Dead. It is not supported by any of the world’s major religions. It is neither penetrating and deep, psychologically or philosophically. Its substance can be mastered in an afternoon’s reading to learn all the nuances of zombies, the undead, vampires and other violent imaginary characters. It is probably this last point which makes Walking Dead a primary attraction.

P.S. This explains why audience members have learned Klingon but don’t know a speck of Spanish. Why people use Friends to support lifestyle choices, but are always running out of money. Why living on a desert island is a drag because there is no professor and no Internet.

 

 

 

 

 

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