BACHELORETTE

This movie is a satire. The setting is the wedding of a heavy-set woman. She invites three attractive, fashionable friends from high school; there is a sense of high school reunions combining with the downside of wedding preparations and parties.

The satire is about the three women (Dunst, Fisher and Caplan) who act like they are still in middle school. At a moment of sadness Dunst says, “I did everything right. I went to college. I exercise. I eat like a normal person. My boyfriend is in medical school.” She is lost in life. Caplan asks, “Are you all right?” “No, I’m fucking miserable.” All three women acting as girls are inept at human relationships, sad and unhappy.

Their conversation is juvenile. Their actions are juvenile. Their reactions are juvenile. Their judgment is absent. A seamstress is sorely needed; they run around until Fisher says, “I can sew.” But she is too wasted.

The men in the movie are surprisingly grown up and likable. The groom likes his bride-to-be. Fisher’s man was a high school classmate: She copied his French homework but only remembers she sold her pot. He refuses to sleep with her because she’s wasted: “You can’t remember my name.” The other women get unthinking sex, and one guy is in love again (previous high school romance went sour). 

The movie is less about lines, put-downs, and sit-com set-ups, it’s tone, and mostly about 30 year-olds trying to be young forever. Ageless youth of no maturing – The Portrait of Dorian Gray. The three women have avenues to escape youth. Whether they do leave is likely the stories of several dramas.