DISGUSTING FUTURES

I’ve seen two movies, both set in New York City. In each there is no character worth liking; there is no one to root for. Keanu Reeves is in Exposed; Adam Rodriquez is in A Kiss of Chaos.

The stories like the setting, the underside of New York City, are grimy, tough, rude, vulgar and bleak. In A Kiss a character says to another: “The cops are coming.” RESPONSE: “The cops don’t come here.” Without knowing anything else viewers agree. The dialogue reflects elementary educations, perhaps to sixth grade after most kids know the swear words, cliches and conventional comments which are meaningless. Someone offered to teach a woman class; he spoke quietly, like he had an eighth grade education.

In Exposed Reeves investigates his partner’s murder. He learns along the way, that his partner has been committing felonies. A Kiss is about a cocaine deal that goes wrong – the buyer ends up with drugs and the cash. How do they get it back?

These low, miserable, youthful tales have identifiable characters, none that a family would want delivered to a family member who is in the state prison. Each movie has a premise which is resolved; each is filled with sociological terrors. The human imagination runs wide and strong, but I have no reason to doubt that these films and stories reflect large doses of reality. They are existing facts and circumstances which will arrive in the future.

Finally, I must commend Mr. Reeves and Mr. Rodriquez for acting and being in these stories. They are not fantasy; they are not concocted love; they are not super-hero stuff; they are not monster versus mankind, or the earth; there are no car races or car chases. These movies seem real, although the movies suggest the true facts should never be put into a police report.

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