SEE IT NOW – THE FUTURE

Recent grade-B scientific films present sets which seem a step away from funky main streets of small town America today. Instead of the barber’s pole, there is a pole with a half dozen round plastic platters, like multiple serving areas for kids to NBA players. That was futuristic during the Sixties, and it dates and looks odd today. But the incongruity fits in a science fiction movie: everyone can recognize what it is but like a barber’s pole, no one know what it means.

Next to see on the screen are the race and ethnicity of people. Any film company should have its characters from various places show up in semi-native festive garb. That happens in California usually. It is difficult to know whether someone is in the United States military or with the LAPD. She may be going to a costume party. Ditto, putting these people on a movie set while filming a science fiction flick. The languages present a wild, crazy, different sound tract.

No change has to be made when asking characters to speak, not American but their first language. The misunderstandings today are brief and small. In the future it may be impossible to cross the street without knowing five languages.

A few movies have used the present day to project a futuristic society. This presents a step, an advancement reflecting a truer future than any other show. For instance the future is unlikely to be anything like The Jepsens. In the cartoon there are just too few people, too many open spaces and isolated houses abound. It is likely that houses will be owned and sold in 100 years, but honey-combed constructions of apartments, condominiums and town houses are what most of the human race will live in. It is call urbanization. There will be too many of us: From caves we came, to caves we will return

Science fiction movies rarely show the current press of human existence or what that will be in the future – close quarters, get off my back! In the movies this point can only be inferred by how many human beings are killed and by whom. Undoubtedly, the protagonist feels totally bad when a human being is smoked – less so if a droid dies. Deaths of druids evoke different emotions. After the first human beings are extinguished, death gets easier, and everyone becomes desensitized. It does not matter how many characters are killed, provided the protagonist and his brawny, brainless hunk survive as the only persons on earth, there to watch the sun rise – a new day on the planet to begin again and the human race will avoid all the mistakes it made the last time.

Are you voting for Don Trump, or Hillary Clinton?

The prospects for over-population movies are narrow. Everyone knows the likely solution, and human beings don’t like that. Everyone also dislikes solution number two: Don Trump and HRC survive and …

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