A SINGLE SHOT – DON’T SEE. Appalachian man, Sam Rockwell, at the beginning of a divorce, goes hunting. He uses a rifle that looks like a shotgun. Aiming at a deer, he hits a woman in hiding. He’s shocked he killed the woman. He does not know who she is; he does not know she was living in his woods. There is no explanation about it in the movie. Sam is a moron mountaineer although he easily finds where she’s been staying and discovers a stash of cash which he appropriates. He conceals her body.
Next Sam Rockwell has to keep his cool, but he becomes a retard. He spends freely; he seems incredibly social, considering his house which looks like it hasn’t been cleaned since 1998. The boyfriend of the dead girl comes to town seeking revenge. He kills Sam’s dog’s. Since there are two strangers in the one-horse town Sam does not know who is the bad guy. Sam’s house is burgled. The body of the dead girlfriend is put into Sam’s freezer. Sam wonders who is plaguing him.
He wants to resume relations with his wife. Nope. A teenage daughter of a local diary farmer has the hots for Sam. There is a New Age scene where Sam shares a meal with her.
The film gets worse.
This movie need not be filmed in the backwoods, anywhere. It could be filmed in the front woods or along side a road. It might have been filmed in Frisco or in Westwood among the homeless. Sam Worthington would be noticeable by the sign hanging around his neck reading, I’m the biggest moronic, retard-fool on the planet.
The Canal (2013). The film is unnecessarily dark, with a poor story, mediocre dialogue and ill defined characters.
The International – Clive Owen, Naomi Watts. This is a predictable film with an excellent scene of dialogue (four minutes) between Owen and bad guy, Armin Mueller Stahl, which makes those opponents allies. At the end there are also good rooftop scenes of Istanbul.
After Hours – Griffin Dunne, Roseanne Arquette, Linda Floretino, Teri Garr, Martin Scorsese (Director). WATCH. This is as delightful and true a film as when I first saw it.