SERENDIPITY, GET THE GRINGO

Movie Review, SERENDIPITY, John Cusack, Kate Beckindale. I like both actors. And this movie. I watched 90 seconds before turning the movie off.

Black pair of gloves. John and Kate each reach for the last pair. Idle chit-chat amounting to dull, flimsy dialogue getting worse. After a minute of it, an old man (actor I don’t like who should always be the bad-evil pervert) intervenes and claims the gloves. On his second line I turned it off.

PROBLEM: Kate and John are supposed to fall in love, at-first-sight. There’s no chemistry, no electricity, no other atoms or molecules and no bison measurements flowing between them. John has to move his mouth, and he has to sound intelligent and interesting. He sounds lame. Kate waits.

Dialogue should not be the gracious, meaningless offer from each, “You take them.” Share, share, we learned how to be kind to one another. Let’s be three years old again (when nobody was buying gloves). Remedy: In a busy world Kate says, “All right,” and takes the gloves. John has to convince her while making her interested in him, to let give him the gloves.

That didn’t happen.

Movie Review, GET THE GRINGO, Mel Gibson. A decent action movie about an American stuck in a Mexican prison. In America he has stolen $4,000,000, some of which the Mexican police have. Nobody can identify the Gringo; he doesn’t tell what he did, until the information is useful to save his life and help him leave the prison. Hence, the audience as do the characters in the movie learn about the entire sum late.

Mel Gibson is the thief. How he navigates in the Mexican prison (“Worst mall in the world…”), how he gets out and how he survives provide action in realistic settings.

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